Grind
Stress (In memorium) (2002-2004), concrete, wooden and real teeth of different people
Patience (2012), poplar, plaster dental mold (Peter), Sculpey, acrylic, fresh water pearls
(between taxonomy and communion) (1990/1996), steel table, iron oxide powder, and approximately 14,000 human and animal teeth
Umbilical (2000), sterling silver cast of family silverware and negative impression of artist's mouth and mother's hand
Pulling Mouth (1969), 16mm film transferred to video (black and white, silent)
WHEN YOU’RE ON THE VERGE OF DETERMINING … TEXT: LIVING SERIES (1980-1982), enamel on metal hand painted sign
excerpt from Traité Complet de l’Anatomie de l’Homme (1831-54), lithograph
A Portrait of the Artist as a Shadow of His Former Self (1980), egg tempera on paper
Grind explores the role of teeth in our lives—how these tiny tools serve as a microcosm of larger bodily and social experiences.
The exhibition aims to unpack how:
1) the body holds intuitive wisdom and brings physicality to emotional experience (exploring teeth as sources of pleasure, pain, anxiety, and identity)
2) the body is colonized by the intersections of white supremacy, a culture of disembodied violence, and health care operated in a capitalist system (exploring the socioeconomic implications and horrors of dentistry and the easy disposal/trivialization of these body parts)
All images link to their original source. This exhibition sketch is a work in progress - more text and images to be added.